This is an intelligently made film, well-acted and directed, exploring a difficult subject, relationships between the experience of pain and sexuality, offering much to reflect on.

Michael Jr. as Ben brings soul and spirit to a role that will feel resonant to any parent of a certain age.

Anyone expecting some kind of righteously indignant, stentorian rant from Ms. Meeropol will be disappointed. In fact, she does something far more surgical: She makes Cohn ridiculous.

Spike Lee makes the point that the burdensome, sometimes crippling, legacy of armed conflict can be equally infernal.

In many cases, those undergoing physical hardship need spiritual consolation just as much, if not more so, than practical solutions.

What enhances nostalgia from a malingerer’s daydream to worthwhile study is the ability to re-evaluate the joy against what soured it—precisely what’s missing here.

It is his and others’ many honest, searing flares of temper that give Lance a rapturous allure. The anguish, both self-imposed and in response to a corrupt system, has built up over decades and finally finds an outlet.

For the most part, it's a very entertaining documentary, but one with curious holes in its history.

It has sadness, happiness, cuteness, sentiment, and enthusiasm.

Branagh succeeds in doing something almost unimaginable. To wit, he makes the formidably gifted--and gifted at being formidable--Judi Dench, tricked out as a leprechaun, seem downright foolish.

Below the crust of vulgar behavior and language overlying this moving conversion story lies a salute to such values as the dignity of work, emotional connection and the heroism of first responders.

The mix of tragedy and comedy is a difficult one to handle.

Although ‘Dads’ recognizes that human fatherhood has a special nobility, it cannot explain why. 

Do you care about the evolution, mechanics and process of free-style rapping? Perhaps not, but it's hard not to be impressed, if not awed, by the spontaneous invention exhibited.

It is not all about camera-wary kids not looking into the lens, though there's a fair amount of that.

Its cinematography, in particular, creates a naturalistic feel that forcibly conveys the status of black people lying at the margins.

Understated humor is the hallmark of this restrained and sophisticated parable, which begins as a comedy of manners but ends as a somewhat cynical tale of moral downfall.

Audiences who have visited Greece will be delighted with an overview of the scenic delights of Greece. Audiences who have not visited Greece will be thinking of possible plans for a trip.

A very smart film, filled with highly educated and articulate women who will be silent no longer. 

It has to be seen and appreciated as a domestic drama. Yes, the setting is space exploration, but the preparations and training for those who want to go into space.