The primary cast of the film takes what could be another predictable tear-jerker and infuses fresh perspectives.

Lucky Grandma is a story of a vibrant Chinese community in New York City and one feisty Grandma.

This is a pregnancy film. There is plenty of comedy. And there are serious themes. In fact, quite a pleasing combination.

A film for 2020 audiences, especially older audiences looking for some kind of easy entertainment in difficult times.

The emphasis is not so much on gang aggression towards outsiders but strong fighting for turf, for the formation of gangs, forming the Savages, trying to find one’s place in this marginalised world.

A must for women. A must for men.

This film is essentially about what 'not to do', as well as 'what to do', to protect a relationship that is fracturing badly.

For a younger demographic, Kurt’s world is approximating to a real world, the world of social media, the world of being preoccupied with what is on a screen rather than in reality.

It is a film that projects African-American pride at a time when positive antidotes are urgently needed to the media’s hunger to show violence and aggression.

A Russian perspective on popular space and monster films of recent decades, tension and drama, some grim moments, but all presented very seriously.

In this, his witness statement, David Attenborough invites us to continue to share and promote his passion for the natural world into the future.

A spirited comedy that delves wittily into the relationships between husband and wife, and between father and daughter.

I was very moved that the filmmakers included the dark expressionist paintings of a Holocaust survivor.

It shows that there are alternative ways to resolve conflict and redress wrongs other than violence.

As written and directed by Sofia Coppola, it sometimes feels as though meager material is being stretched out to fit feature length.

The liberal satire and mockery of American cluelessness that are presumably the main items on Baron Cohen’s agenda are overwhelmed in a welter of tawdry, demeaning jokes.

Aaron Sorkin has a knack for making politics interesting.

No threat to Hitchcock’s classic.

It’s a solid, entertaining action thriller.

Complicated real-life people have become narrative conventions in a movie full of character types and glib dialogue.