Worry not. Sarah and Nyles are stuck in time, but screenwriter Andy Siara does inventive things with their cosmic staycation.

How does it play? With the same verbal and musical fireworks as the stage version, and with the same emotional kick, which is rooted in the casting.

The playing is generally astounding, and that alone makes for an enriching hour of public television.

Anyone expecting some kind of righteously indignant, stentorian rant from Ms. Meeropol will be disappointed. In fact, she does something far more surgical: She makes Cohn ridiculous.

For the most part, it's a very entertaining documentary, but one with curious holes in its history.

Do you care about the evolution, mechanics and process of free-style rapping? Perhaps not, but it's hard not to be impressed, if not awed, by the spontaneous invention exhibited.

It is not all about camera-wary kids not looking into the lens, though there's a fair amount of that.

This is not realism, neo or otherwise. But while neither Rossellini nor his screenwriter— Federico Fellini—were conventionally Catholic, both incorporated Catholic themes in their work

Tassone’s rise and fall in this black comedy is mostly about his fall and hinges, ever so Greekly, on his own hubris.

Intimacy achieved by the movie's style and camera and Mr. Mendes's obvious devotion to what he's doing.

The Kingmaker is a thoroughly entertaining primer on the past, present, and perhaps future of Filipino politics.

‘The Cave’ is also something of a talking-dog movie: You’re astounded it exists, never mind what it has to say.

“Corpus Christi” presents us with something of a chewable paradox: Is the church, the conduit of salvation, denying Daniel salvation?

Unlike a lot of historical drama, it eschews romanticization and gives one a real sense of how brutal life must have been in the early 400s A.D.