Vince Kuna picks the best adapted screenplays of the 1940s.

O’Hare: Not so concerned with the theology of their Protestant communities but more with their social, cultural and more broadly spiritual effects.

McAleer on why Kevin James, The Rock, and Kenan Thompson go underutilized in their shows debuting now.

Kate O’Hare discusses the Titanic graduate’s Irish work on PRAY: The Story of Patrick Peyton.

Vince Kuna examines the decade ending with the golden year of 1939, though his picks may surprise you.

Kate O’Hare interviews Rowe on the show, his decision to start work without a network, and his appreciation for James Burke.

The eyes of Kate O’Hare are upon CW’s new series.

O’Hare: In her race to create a million-dollar company in 90 days, the first place she visited was a Baptist church.

Kuna: A Notre Dame-USC reference reveals the producers’ insight into nuanced characterization. I understand both sides because I went to both.

O’Hare: A lavish budget updates this retelling of a classic British story.

McAleer: Why PBS’s All Creatures Great and Small is a soothing tonic for tense nerves

Get your 80s fix with Vince Kuna’s discussion.

McAleer: Though it looks similar, Downton it is not.

Kuna: Kevin’s movement from fear to faith is the major factor.

Anderson: The music is the point, and Ella’s swinging hits are still as refreshing to us as they were to the retail workers in need of a break from monotonous holiday music.

O’Hare: Alternate universe for jolly old England in season two.

Vince Kuna’s advice on how to wow your moviegoing friends with Christmas cheer

Vince Kuna takes us through a historic tour of the art of adapting for screen.

McAleer: A worthy attempt, but the books are still superior.

Watch ICFCA founder Michael Augsberger’s interview on Journeys in Faith: 8:30 pm EST, Friday, Nov. 13